This is a great, if very lengthy, documentary/sampler of Italian Neo-Realism. It’s a bit like taking a film study survey course!
Directors and their films:
- Italian epics:
- Giovanni Pastrone: Cabiria (1914)
- Alessandro Blasetti: The Iron Crown (1941), Fabiola (1947)
- Roberto Rossellini: Rome, Open City (1945), Paisan (1946), Germany Year Zero (1947), The Miracle (1948), Stromboli (1950), The Flowers of St. Francis (1950), Europa ’51 (1952), Journey to Italy (1954)
- Vittorio De Sica: Shoeshine (1946), Bicycle Thieves (1948), Umberto D (1952), The Gold of Naples (1954)
- Luchino Visconti: Ossessione (1943), Giorni di Gloria (1945), La Terra trema (1950), Senso (1954)
- Federico Fellini: I vitelloni (1953), La dolce vita (1960), 8½ (1963)
- Michelangelo Antonioni: L’avventura (1960), L’eclisse (1962)
In the Antonioni segment, Scorseze mentions a few other directors and films influenced with the Neo-Realist style:
- Jean-Luc Godadrd: My Life To Live, Breathless
- John Casavetes : Shadows
- Luis Bunuel: Viridiana
- Ingmar Bergman: The Silence, Persona
- Oshima Nagisa (大島 渚): Cruel Story of Youth
- Glauber Rocha: Antônio das Mortes
- Imamura ShÅhei ( ä»Šæ‘ æ˜Œå¹³ ): The Insect Woman (ã«ã£ã½ã‚“昆虫記 Nippon konchuki)
- Alain Resnais: Hiroshima Mon Amour, Last Year at Marienbad